Feng shui beyond China
Where the tradition went, and what it became there. Korea’s pungsu sited a capital and argued about which way the palace should face; Japan’s court kept a calendar of closed directions and its house-reading kept the demon gate; Vietnam’s last dynasty built a citadel and its tombs to the Form School’s plan; the cities of the diaspora kept the practice alive and made it commercial; the West met it in a missionary’s pamphlet and again in a paperback.
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Wood
Feng shui is Chinese, and for most of its history it was practised in the countries that read Chinese. It went to Korea, Japan and Vietnam with the script, the calendar and the classics, and became in each a practice with its own name and its own emphasis. In the twentieth century it went with emigrants to Hong Kong, Taiwan and Singapore, where the modern manuals were written, and from there, in English, to everywhere else. This page follows it, and says what changed on the way.
Where it went
The tradition travelled the way Chinese medicine, Chinese astronomy and Confucian government travelled: as part of a package that came with the writing system. A court that adopted Chinese script adopted the texts written in it, and among those texts were the ones on siting a capital, a palace and a tomb. Yoon, whose account of the Korean practice is the fullest in English, describes the same pattern in each country: an official geomancy of capitals and royal tombs, a popular geomancy of houses and graves, and a vocabulary borrowed whole and then bent to the local landscape.
Korea: pungsu
Pungsu is the Korean reading of the same two characters, wind and water, and the Korean practice is the closest to the Chinese Form School: a geomancy of mountains, watercourses and the places where a dragon vein comes to rest. Its traditional founder is the monk Doseon, of the late Silla in the ninth century, to whom the later dynasties attributed their siting; the Goryeo kings consulted it for their capital and their tombs, and in 1394 the new Joseon dynasty moved its capital to Hanyang, the present Seoul, on a site that the tradition still describes in Form School terms, with Bugaksan behind, the guardian hills to either side and the Han river in front. Yoon’s book is the study; the Korean word for the auspicious site, myeongdang, is the Chinese ming tang.
Japan: the closed directions and the demon gate
The practice reached Japan with the rest of the Tang inheritance, and the capital of 794, Heian-kyō, the present Kyoto, was laid out to the four gods: a mountain to the north for the Black Tortoise, a river to the east for the Azure Dragon, a road to the west for the White Tiger, a pond to the south for the Vermilion Bird. After that the Japanese practice narrowed and turned to time. Under the court’s bureau of yin and yang, the onmyōdō, it became a matter of directions and days, and Frank’s study of the Heian court gives the system in full: each year and each day certain directions were closed, kata-imi, and a noble who had to travel toward one left the night before in another direction and turned, kata-tagae, so as to arrive without having faced the forbidden way. The diaries of the period are full of these detours, and the calendar that governed them was kept by officials whose title survives in the word for a diviner. In the house the reading survived as kasō, house physiognomy, a practice of plans and directions that still has its manuals and its consultants; the landform reading did not travel far beyond the capitals.
Vietnam: phong thủy
Vietnam read the Chinese classics for a thousand years and kept the practice under its own pronunciation of the same word. Its best-known monument is late: the citadel of Huế, begun in 1804 by the first Nguyễn emperor, sited with a screen hill, Ngự Bình, before it and the Perfume River in front, on the plan the Form School gives for a seat of government, and the emperors’ tombs along the river above the city, Tự Đức’s among them, were each sited by the court’s geomancers with a hill behind, a lake before and a screen at the approach, which is the yin house of the Zangshu built in the nineteenth century. The popular practice of houses and graves continued alongside, as it did everywhere, and continues.
Three of the capitals, with the model they were described against:
The cities of the diaspora
After 1949 the practice was suppressed on the mainland as superstition, and for forty years it lived where Chinese people lived outside it: Hong Kong, Taiwan, Singapore, Malaysia, and the Chinatowns of the West. Hong Kong in particular became the place where feng shui was most visible and most commercial, consulted for banks, hotels and housing estates, and where its modern practitioners wrote the manuals through which the rest of the world now meets it. Emmons’s survey of the territory in the early 1990s found a large share of its businesses consulting a geomancer, for the opening date, the door and the till; the two towers on the waterfront, the bank of 1985 whose escalators were set at an angle on a geomancer’s advice and the tower of 1990 whose sharp edges the city read as blades, are the best-known feng shui story of the century, and the workplaces guide tells it. Singapore built the largest fountain in the world in 1995 at the centre of a ring of office towers laid out as the fingers of a hand, on a consultant’s plan, and calls it the Fountain of Wealth without irony. Bruun tells the story of the trade that grew up around such consultations; his account is the one to read.
The West
Europe met the tradition through the people it sent to China. Eitel, a missionary in Hong Kong, published the first account in English in 1873, a short book that called feng shui the rudiments of natural science in China and found it in the way of every railway and telegraph line; de Groot’s volume of 1897 gave the fullest description a Western scholar had made, as part of his survey of Chinese religion; Needham in 1956 placed it in the history of Chinese science, called it a pseudo-science and credited it with the beauty of the Chinese landscape. The anthropologists came next: Feuchtwang in 1974 analysed the practice as a system of thought, Smith placed it among the divinatory arts of late imperial China, Paton read the classical texts.
What to take from it
The tradition is not one thing that was diluted as it travelled; it is a family of practices that were already several in China and became more so. A reader who knows that can place any book they pick up: a Japanese manual of kasō with its demon gate, a Hong Kong manual of Flying Stars, an American paperback of Black Sect cures, and a Korean account of a capital in the armchair are all feng shui, and none of them is the whole of it. The schools page maps the Chinese branches; this one maps the countries.