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Five Elements · 5 of 5 · shuǐ · Winter · Midnight

Water

The element of winter and the north: the deepest, quietest phase. In a room it is darkness, reflection, the irregular line, and the sense that something is moving beneath a still surface.

A rippling dark surface of water.

Descending and flowing

The idea

Water is where the whole discipline begins. The oldest surviving definition of feng shui, in the Zangshu (Book of Burial) attributed to Guo Pu in the fourth century, says that qi rides the wind and scatters, but is retained when it encounters water. Wind disperses; water holds. The name of the practice is these two things.

Its trigram is Kan: one solid line between two broken ones, a current between banks. It belongs to the north, to winter, to midnight and to the middle son. Its qualities are depth and danger together: the abyss and the well.

In a room

Water is the darkest colour in the room, the mirror, the glass table, the curve that breaks a grid of straight lines. It is also the room’s quietest corner. Classical practice keeps actual water (fountains, aquaria) out of bedrooms; contemporary designers agree for practical reasons, humidity, noise and maintenance, and use dark blue, glass and reflective black instead.

In the northern hemisphere a north-facing room receives the coolest and most even daylight, without direct sun. This is why painters wanted north-facing studios, and why the tradition reads north as a place of stillness and inward work.

Balance

Metal makes Water; Water makes Wood. Earth controls Water; Water controls Fire. A room with too much Water, dark, glassy, cold, is brought back by Earth’s warm matte surfaces and by Wood’s green.

The Five Elements, explained

Sources for this page · the full bibliography

  1. 01 Joseph Needham, Science and Civilisation in China, vol. 2: History of Scientific Thought (1956). Cambridge University Press. Places geomancy within Chinese correlative thinking: yin–yang, the five phases, the trigrams.
  2. 02 A. C. Graham, Yin-Yang and the Nature of Correlative Thinking (1986). Institute of East Asian Philosophies, Singapore. The standard account of yin–yang and the Five Phases as a system of correlations rather than a physics.
  3. 03 Eva Wong, Feng-shui: The Ancient Wisdom of Harmonious Living for Modern Times (1996). Shambhala. A compass-school practitioner’s account of the Form and Compass methods, clear about which is which.
  4. 04 Lillian Too, The Complete Illustrated Guide to Feng Shui (1996). Element Books. The best-selling popular manual. Cited here as a record of what the popular tradition says, not as an authority on what the classical one does.
  5. 05 Sarah Rossbach, Interior Design with Feng Shui (1987). E. P. Dutton. The room-by-room application of the Black Sect method.

The correspondences are Han cosmology as Needham and Graham set them out; their application to rooms, colours and materials is the practitioner manuals'.

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